According
to Louis I. Kahn the first school began under a tree, when a man who knew he
was a teacher began to discuss what he had learned with others who did not know
they were students. Like those students, children under 3 years old learn
intuitively and unconsciously. Drawing a parallel with the story of Kahn, one
might wonder about the role tha...
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According
to Louis I. Kahn the first school began under a tree, when a man who knew he
was a teacher began to discuss what he had learned with others who did not know
they were students. Like those students, children under 3 years old learn
intuitively and unconsciously. Drawing a parallel with the story of Kahn, one
might wonder about the role that tree, that is, architecture, plays in the
practice of teaching. We strongly believe in the pedagogical value of
architecture and, in the case of a nursery school, its actual capacity to
create opportunities that help children to develop suggestive, attractive and
safely this stage of their life.
The
nursery school in Berriozar is established according to a model inherited from
the Italian municipal schools of Reggio Emilia, where childcare facilities are
primarily organized around a main ‘square’ that serves as interaction and
meeting point and as a space meant for the common activities of the school.
Given the distinctive longitudinal proportion of the plot, the square had to be
placed in a central position along with two separate courtyards at the ends.
Thus, the classrooms and facilities moved into an intermediate position,
directly connected to both the central square –illuminated and understood as an
outer space– and the playgrounds, treated as an extension of the physical and
visual interior spaces.
This plant
layout forces to act on the deck in order to naturally illuminate and ventilate
all rooms. The powerful geometry of these skylights, that arise depending on
the activity that takes place on the ground, becomes one of the hallmarks of
the project. The construction is arranged from a modulated structure of
reinforced concrete that qualifies and defines both the inner space and the way
in which light falls on it. A colorful lattice wraps the building and its
playgrounds, clarifying and enriching the relationship between the street and
the interior spaces.
Given
this external chromatic display linked to childlike and playful character of
the building, the interior offers a serene and neutral atmosphere thanks to the
generous overhead homogeneous and natural lighting. The dual scale and play
are, finally, the two fundamental tools used to define the interior space and
the equipment. The inescapable playful condition of the spaces complements with
the dimensional control in relation to the different sizes of children and
caregivers and the different objectives pursued: for kids, premises adapted to
the activities an the size of the groups and, for caregivers, high permeability
and transparency to facilitate visual control of children.
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