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Competitions

World Monuments Fund/Knoll Modernism Prize

Register: 03/31/10 12:00 pm - Submit: 03/31/10 12:00 pm
 
World Monuments Fund / Knoll
 
Established in 2008, the World Monuments Fund/Knoll Modernism Prize is awarded biennially to an innovative architectural or design solution that has preserved or enhanced a Modern landmark or group of landmarks. The first of its kind, ... more
 
Established in 2008, the World Monuments Fund/Knoll Modernism Prize is awarded biennially to an innovative architectural or design solution that has preserved or enhanced a Modern landmark or group of landmarks. The first of its kind, the award acknowledges the growing threats-neglect, deterioration, or even demolition-now facing significant works of Modernism, and recognizes the architects and designers who help ensure their rejuvenation and long-term survival. Its purpose is to raise public awareness of the influential role Modernism plays in our architectural heritage, and recognize Modern buildings as sustainable structures with vital futures.
 
The prize is awarded in recognition of completed (built) work, and may be awarded for an individual project or a body of work. The award consists of $10,000 and a limited-edition Mies van der Rohe-designed Barcelona chair, created by Knoll in honor of the award. The prize is awarded to the designer, architect, or firm responsible for the work.
 
An independent jury comprising professionals from the fields of architecture, architectural conservation, journalism, and related fields selects the winner. The jury is chaired by Barry Bergdoll, the Philip Johnson Chief Curator of Architecture & Design at The Museum of Modern Art, New York, NY.
 
Deadline: March 31, 2010
 
Details: http://www.wmf.org/content/modernism-prize
 
 
 
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Location: United States
URL: http://www.wmf.org/content/modernism-prize

Mowing to Growing: A Design Competition for Creating Productive Green Space in Cities

Register: 03/31/10 11:59 pm - Submit: 04/30/10 11:59 pm
 
Terreform 1
 
Seeking architects, urban designers, planners, engineers, scientists, artists, students and individuals of all backgrounds:
 
How can we break the American love affair with the suburban lawn?
Can green houses be incorporated in skyscraper... more
 
Seeking architects, urban designers, planners, engineers, scientists, artists, students and individuals of all backgrounds:
 
How can we break the American love affair with the suburban lawn?
Can green houses be incorporated in skyscrapers?
What are the urban design strategies for food production in cities?
Can food grow on rooftops, parking lots, building facades?
What is required to remove foreclosure signs on lawns and convert them to gardens?
 
The ONE Prize award is an international competition and it is open to everyone. The proposals can be for a real or speculative project, for one or more real sites, and located either in the U.S. or applicable to U.S. sites. Further, the proposals need not be generated exclusively for this competition, provided that they address the intent of the competition. http://www.oneprize.org/
 
 
 
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Location: United States
URL: http://www.oneprize.org/

Architecture week A5 Munich: Transition.Interruption.Motion | Urban landscape

Register: 04/26/10 12:00 pm - Submit: 06/21/10 12:00 pm
 
Association of German Architects
 
Architecture week A5 in Munich 16.7.-24.7.2010
 

Call for competition entries for the A5 prize
 

Transition.Interruption.Motion | Urban landscape
 

Every two years the Bavarian BDA (Association of German Architects) hosts the Architecture We... more
 
Architecture week A5 in Munich 16.7.-24.7.2010
 

Call for competition entries for the A5 prize
 

Transition.Interruption.Motion | Urban landscape
 

Every two years the Bavarian BDA (Association of German Architects) hosts the Architecture Week.
In addition to Munich, the regional associations throughout Bavaria are actively involved. The goal is to create a high-profile public forum for building culture in Bavaria and to encourage people to take a closer, critical look at the quality of planning and building with view to taking responsibility for society and the environment.
In 2010 the Architecture Week will take place for the 5th time.
 

The current title of the A5 Transition.Interruption.Motion describes the delicate balance between conserving and changing and the process-based transformation of our built environment, which we can actively shape.
In Munich the A5 will focus on a critical examination of the built environment within the scope of the urban landscape of Munich, the city peripheries and the area beyond Munich's administrative boundaries.
 
urban landscape
The city in its enclosed form is dispersing and spreading out beyond the boundaries. City and countryside do not contradict one another, they are currently weaving themselves, in a complex form of coexistence, into an urban landscape. This phenomenon is visible on a global level and is based on common social trends.
Munich neither ends at the Altstadtring (the ring road around the old town), nor at the Mittlerer Ring (the central ring road).
 

Some of the TU Munich (Technical University) locations, Munich airport, commercial centres, residential areas and the Munich swimming lakes are situated far beyond the city borders.
 

Today, the city does not just convey one image. It no longer describes urban life in a compact city. A wide variety of living environments, as well as financial and social relationships are expressed in diverse scenarios of the city that exist side-by-side; high-rise buildings in wide open spaces, the area near the airport as a place for an excursion, new single-family houses behind the motorway noise barrier, a segment of the old town close to the science city, the large commercial area next to the sheep-grazing meadow.
 

In the peripheral urban spaces, in the suburbs and metropolitan areas, new kinds of cities are developing, which will be explored and discussed using fresh definitions: Metapolis, network city, Zwischenstadt, edge city, Tussenland, urban landscape. The spaces within the urban landscape are one of the central challenges today for urban planning and architecture. The Architecture Week A5 Munich will explore these urban peripheral spaces in Munich under the following topic headings:
 
1. Fiction and tradition
The urban landscape in the region of Munich does not express itself in specific images. In spite of this or precisely because of this it contains extremely dynamic areas of growth, highly-frequented leisure and consumer spaces and much sought-after residential property. Which desires do these spaces generate? Why does the new community square look like the shopping precinct in the outlet centre, or like the film set for the TV series Marienhof? What image of the city are they based on? Which fictive concepts can be developed that take both the nature of the place and the latest developments into account.
 
2. Movement and networking
The term "urban", no longer only describes a pulsating density of overlapping utilizations and spaces but also the functional networking, the timely accessibility, goal-oriented mobility and informative communication. The proximity to mobility hubs determines the commercial success of a city and its inhabitants.
How are the mobility spaces of the city environment represented?
How do they generate a city?
How can they be devised as public spaces?
 
3. Neighbourhoods and scales
A large variety of living environments, commercial and social relationships are expressed in the fact that different city scenarios and scales coexist side-by-side. The conference centre next to the baroque chapel, the motorway intersection next to the gentian meadow, the kebap shop next to the research laboratory of the Nobel Prize winner, the sewage treatment plant behind the pinewood.
What potential does this new city chapter provide?
What questions are associated with it?
 
4. Inside and outside
The description of a city as having an inside and outside, a centre and a periphery, a core city and satellites, is based on the model of a radial-concentric expanding city. An urban landscape however perceives itself as a patchwork of different city quarters of equal importance.
How does this way of reading the city create references and boundaries between the individual sections? Do we as architects and planners have to pay the same attention to each of these parts?
Is the principle of centrality still tangible?
 
5. Uses and utilization
In the context of the urban landscape we mostly only perceive the setting up of a sequence of areas that have been allocated a single function to be monofunctionalized spaces. The commercial zone, the area of single-family houses, the motorway intersection. However the urban landscape does not only reveal niches and open spaces in between that are suitable for differentiated appropriation, it is also dynamic and heterogeneous.
How is the city utilized in this context?
 
6. Planning methods and the potential of architecture
Urban landscape often presents itself throughout the country as a conglomeration of generic spaces without a perceivable local reference or a visible creative drive. On which planning methods are these areas based?
Which methods and approaches does architecture provide us with to develop spaces whose atmospheric qualities are consistent and who make the urbanized landscapes perceivable and worthy of experiencing, as different worlds to be lived in that exist alongside and in relationship to one another?
 
7. Landscape
Landscapes are ecologically valuable compensation areas for the cities. In today's urban landscape they are integrated into an urban system of usability and intensive utilization of surface area. The small sections of city and landscape side by side are developing contrary to the concept of the European compact city.
 
Can an urban landscape qualify as a counterpart to a consolidated city in the sense of a sustainable development?
What role do landscape areas play here?
 
The A5 prize Munich
Competition organizers:
Within the scope of the Architecture Week A5, the Association of German Architects for the region Munich-Upper Bavaria is calling for competition entries that examine the theme of urban landscapes in the context of the above-mentioned topics.
 
Participants:
The competition is open to people working in all professions.
The prize will be awarded irrespective of the discipline.
There are intentionally no limitations regarding profession, age and the number of authors of the submitted work.
Both individuals and working groups may participate.
We particularly welcome the intensive involvement of the institutes of higher education, who we call on to examine the spatially tangible urban phenomena that are presented and to document their work according to the competition requirements.
 
Style and character of the contributions:
Entries can consist either of contributions that have already been completed or works that have been developed especially for the competition.
The works should take into account phenomena typical of the Munich cityscape and also find their own position within the current discourse.
The format can be freely selected however it should be suitable for presentation to a broad audience: architectural design, film, photographic work, music, text, spatial intervention, among others. We particularly welcome contributions by interdisciplinary working groups.
Documents to be submitted:
 
The procedure for determining the winner has two phases. The following documents are required:
1st Phase
Submission of the work in the form of a conclusive exposé.
max. 2 DIN A3 posters with drawings, photos, text etc.
max. 2 DIN A4 sheets of paper containing additional explanations of the work or the project
and / or: 1 film, max. length 3 minutes in which the drafter explains the project on location
and / or: 1 object, model, max. size and height DIN A3.
 
2nd Phase
20 works will be selected from the submissions. These works will be presented to a large public within the scope of the Architecture Week and the jury decision-making process will be open to the public. In the second phase, the selected works should be portrayed in a manner suitable for a public presentation. The way in which the individual works will finally be presented in the context of the Architecture Week A5 will be agreed on together with the drafters of the works.
 
Deadlines:
Submission date for phase 1 contributions
Monday, 26.04.2010
The date of the postmark applies.
Submission date for the phase 2 presentation documents
Monday, 21.06.2010
The date of the postmark applies.
Address:
BDA Bayern e.V.
Geschäftsstelle
Türkenstraße 34
80333 München
 

Jury and awarding of prizes: The jury will be international and interdisciplinary.
The public jury session will take place during the A5.
 

In the Architecture Week from 16. - 24. July 2010 the names of the selected winners will be announced officially and presented publicly. The prizes will be awarded in a ceremonial context.
Prizes: 1st prize: 2.000 € 3 special recognitions: each 1.000 € The jury reserves the right to distribute the prizes differently.
 
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Location: MunichMunich, Germany

Project Greenway: The Sustainable Accessory

Register: 03/25/10 12:00 pm - Submit: 03/25/10 12:00 pm
 
GreenBuilders
 
Sustainability is on everyone's mind. It has become a global priority through large scale projects to reduce carbon emissions below 1990 standards by the year 2020, as stated at the 2009 United Nations Climate Change Conference in Cope... more
 
Sustainability is on everyone's mind. It has become a global priority through large scale projects to reduce carbon emissions below 1990 standards by the year 2020, as stated at the 2009 United Nations Climate Change Conference in Copenhagen. However, as individuals, how can we affect change, and what are the short-term and individual solutions? What can be designed on the smaller scale to accessorize greater sustainable strategies like carbon sequestration, reduction of footprint, ocean waste, etc.?
 
***This competition asks you to design a sustainable accessory***
 
Submissions should identify an environmental issue to address and define what an accessory is and elaborate on your accessory's strategy.
 
The sustainable accessory is not just sustainable in its manufacturing, but its use. The accessory can be passive (instigating active behaviors) or active in itself.
 
The accessory should either mitigate an existing environmental condition or contribute to positive sustainable lifestyle choices.
 
Modern manufacturing operates under an assumption of planned obsolescence. How can we re-imagine the design of objects to minimize harm in their production and maximize positive effects in their use with more effort put into conceptualizing use and less in disposal?
 
SUBMISSION
Your design for the sustainable accessory should be submitted in no more than two 8"x8" sheets, and text should be no more than 300 words. All files must be in PDF format. Email submissions to projectgreenway@gmail.com by Thursday, March 25 at midnight.
 
ELIGIBILITY
This competition is open to students and recent graduates (within 10 years). Individual and team submissions permitted. No firms please.
 
Register by sending us your name, program, degree and graduation date (if applicable) to projectgreenway@gmail.com by March 25 (submission deadline)
 
JURY
Phil Anzalone - Principal, Atelier Architecture 64
Alice Chun - Principal, MinSoo ARC
Douglas Gauthier - Principal, Gauthier Architects
Janette Kim - Founder, All of the Above
 
AWARDS (to date)
Publication in ABSTRACT
Publication on BLDGBLOG
 
For more information, please visit www.greenbuilders.ning.com/events/project-greenway
 
 
 
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Location: New York, New York, United States
URL: http://www.greenbuilders.ning.com/events/project-greenway

Museum of the Second World War in Gdansk Design Competition

Register: 03/26/10 12:00 pm - Submit: 05/13/10 12:00 pm
 
Museum of the Second World War
 
Organiser of the Competition
The Museum of the Second World War in Gdańsk with its main offices at: ul. Długa 81/83.
Subject Matter of the Competition
This Competition concerns the development of the architectural conceptual design of the... more
 
Organiser of the Competition
The Museum of the Second World War in Gdańsk with its main offices at: ul. Długa 81/83.
Subject Matter of the Competition
This Competition concerns the development of the architectural conceptual design of the building to house the Museum of the Second World War in Gdańsk, intended to become a new identity landmark of the City of Gdańsk, and the conceptual site landscape design commensurate with the nature, status, and location of the site.
 
The purpose of this Competition is to arrive at the architectural concept of the building to house the Museum of the Second World War in Gdańsk, appended with the site landscape design, that will be best in terms of its city-planning, architectural, functional, aesthetic, and operational aspects, and recognise the site's nature, status, and location, and to obtain recommendations from the Competition Jury with respect to awarding the public contract to the winner of the Competition.
 
Formula of the Competition
An architectural contest of the open, international, one-stage type.
 
Language of the Competition
The Competition shall be held in the Polish language.
The Requests to Participate in the Competition and the declarations from the Competition Participants shall be submitted in the Polish language.
The Competition Entries shall be produced in the Polish language, though their submission in the English language shall be permissible.
 
The Regulations of the Architectural Competition together with all the appendices are available in English.
 
Timeframe:
 
26th January 2010- Competition Announcement
 
26th March 2010- Submission of the Requests to Participate in the Competition
 
29th March 2010- Opening of the Requests to Participate in the Competition
 
6th April 2010- Notification of Qualification for Participation in the Competition and
Invitation to Submit the Entries
 
13th August 2010- Submission of the Competition Entries
 
1st September 2010- Resolution of the Competition, publication of the Competition results
 
Awards
 
Total value of awards: 200,000 EUR
1st prize: 80,000 EUR
 
The Competition Participant whose Entry is awarded the first prize by the Competition Jury shall further be awarded with the invitation to participate in the public contract award proceedings to be held under the single-source procurement procedure and concern detailed elaboration of the Competition Entry, consisting in the development of the design documentation (i.e. the building design appended with the site landscape design and the comprehensive construction design) for the Museum of the Second World War.
 
The Awarding Entity shall award the prize money to maximum three Competition Entries; it can also award pecuniary distinctions.
 
Composition of the Competition Jury:
Wiesław Bielawski - chairman, Grzegorz Buczek - juror-scrutinizer; Wiesław Czabański - juror-scrutinizer; Wojciech Duda; George Ferguson; Tomasz Konior; Daniel Libeskind; Jack Lohman; Andrzej Pągowski; Hans Stimmann; Krystyna Zachwatowicz-Wajda.
 

Detailed information concerning the competition can be found in the Regulations of the Architectural Competition. The Competition Regulations together with all the appendices can be found on the website: http://www.muzeum1939.pl/index.php?str=1〈=en
 
 
 
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Location: GdanskGdansk, Poland
URL: http://www.muzeum1939.pl/index.php?str=1&lang=en

Mowing to Growing: Reinventing the American Lawn

Register: 03/31/10 12:00 pm - Submit: 04/30/10 12:00 pm
 
Terreform
 
CALL FOR SUBMISSIONS
 
We are launching this competition in the context of larger issues concerning the environment, global food production and the imperative to generate a sense of community in our urban and suburban neighborhoods. From... more
 
CALL FOR SUBMISSIONS
 
We are launching this competition in the context of larger issues concerning the environment, global food production and the imperative to generate a sense of community in our urban and suburban neighborhoods. From Mowing to Growing is not meant to transform each lawn into a garden, but to open us up to the possibilities of self-sustenance, organic growth, and perpetual change. In particular, we seek specific technical, urbanistic, and architectural strategies not simply for the food production required to feed the cities and suburbs, but the possibilities of diet, agriculture, and retrofitted facilities that could achieve that level within the constraints of the local climate.
 
Seeking architects, urban designers, planners, engineers, scientists, artists, students and individuals of all backgrounds:
• How can we break the American love affair with the suburban lawn?
• Can green houses be incorporated in skyscrapers?
• What are the urban design strategies for food production in cities?
• Can food grow on rooftops, parking lots, building facades?
• What is required to remove foreclosure signs on lawns and convert them to gardens?
 
We want to see how you'd design future-proof spaces and systems to explore the larger framework of suburban and urban agriculture and its effects on the architecture and urban design.
 
PROJECT BACKGROUND:
Research points out that North Americans devote 40,000 square miles to lawns, more that we use for wheat, corn, or tobacco. And, also that Americans spend $750 million dollars a year on grass seed alone while only 2% of America's food is locally grown, 12% of every dollar's worth of food consumed at home comes from transportation costs. In July 2005, Los Angeles-based architect Fritz Haeg launched the campaign known as "Edible Estates". Haeg says he was drawn to the lawn - that "iconic American space" - because it cut across social, political and economic boundaries. "The lawn really struck me as one of the few places that we all share," he says. "It represents what we're all supposedly working so hard for - the American dream." The concept of tilling one's front yard is not a new one. In 1942, as the U.S. emerged from the Great Depression and mobilized for World War II, Agriculture Secretary Claude R. Wickard encouraged Americans to plant "Victory Gardens" to boost civic morale and relieve the war's pressure on food supplies - an idea first introduced during The Great War and picked up by Canada, the U.S. and Great Britain. The slogan became "Have Your Garden, and Eat It Too." Soon gardens began popping up everywhere, and not just American lawns - plots sprouted up at the Chicago County Jail, a downtown parking lot in New Orleans, and a zoo in Portland, Ore. In 1943, Americans planted 20.5 million Victory Gardens, and the harvest accounted for nearly one-third of all the vegetables consumed in the country that year. Twenty-five million U.S. households planted vegetable and fruit gardens in 2008, according to the National Gardener's Association. First Lady Michelle Obama and Secretary of Agriculture Tom Vilsack have planted organic vegetable gardens this year. Roof gardens are sprouting nationwide. Community gardens have waiting lists. Seed houses and canning suppliers are oversold. The time is NOW.
 
ELIGIBILITY:
Professionals and students of all fields are eligible to submit. However, there will be two separate categories of judging: one for professionals and college students and the second for high school students.
 
PRIZE:
PROFESSIONALS
The winner will receive the ONE Prize of $10,000. The five finalists will receive prominent year-long exposure on the competition website; presentation of designs at the award ceremony and web symposium and will be featured in the media sponsors. The web symposium will provide a platform to match the finalists with leading experts in fields relevant to farming, urban agriculture, planning, market analysis and land use development.
HIGH SCHOOL STUDENTS
The winner will receive $1,000 cash award, prominent year-long exposure on competition website; presentation of designs at the award ceremony and web symposium and will be featured in the media sponsors.
 
REGISTER
All teams must register by the official registration date utilizing the downloadable form. The registration fees are $150 per professional team (including college students) and $50 per high school student team. You can make a payment online by credit card using the donate button on our website at: www.oneprize.org/register.html
 
If you would prefer to use a check or money order, please make it payable to Terreform ONE and send it to: Terreform ONE, 33 Flatbush Ave. 7th Floor, Brooklyn , NY 11217 Registration form should be emailed to info@oneprize.org All qualifying registration applications (form with payment) must be postmarked by March 31, 2010. Applications postmarked after that deadline will be disqualified. Upon receiving registration applications, Terreform 1 will issue each registrant a registration number, which must appear on the first page of the proposal or in the upper right hand corner.
 
LOGISTICS
All submissions are non returnable and all registration fees are non refundable. Decisions regarding finalists and winners are at the discretion of the selected jury and Terreform 1. Terreform 1 retains the right to use any and all submitted work for press, publication, and exhibition purposes. Copyright to the work is retained by the original author teams. There is no maximum number of submissions that may be made by any one team or individual team member. However, every submission must be individually registered, with fees paid. Submissions, formatted as a single PDF file no larger than 10MB should be emailed to info@oneprize.org Email questions to: Maria Aiolova, LEED AP maria@terreform.org
 
DATES
December 1st, 2009: Registration opens; Question period opens
March 31, 2010: Registration closes; Answers posted
April 30, 2010: Submission Due
May 31, 2010: Finalists announced
June, 2010: Award Ceremony and Web Symposium; Exhibition launched
 
 
 
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Location: Brooklyn, New York, United States
URL: http://www.oneprize.org/about.html

Kaohsiung Marine Culture and Pop Music Center Competition

Register: 04/15/10 12:00 pm - Submit: 04/15/10 12:00 pm
 
Kaohsiung City Government
 
** PLEASE NOTE: OFFICIAL COMPETITION SCHEDULE NOT RELEASED YET, WE WILL UPDATE IT HERE WHEN IT BECOMES AVAILABLE **
 
The Marine Culture and Pop Music Center is an integral part of the major public investment and construction plan by the... more
 
** PLEASE NOTE: OFFICIAL COMPETITION SCHEDULE NOT RELEASED YET, WE WILL UPDATE IT HERE WHEN IT BECOMES AVAILABLE **
 
The Marine Culture and Pop Music Center is an integral part of the major public investment and construction plan by the Kaohsiung City Government. A major investment toward the overall development of Kaohsiung and even the whole of Southern Taiwan, it is one of the "i-Taiwan 12 Infrastructure Projects" as well as the "International Art and Pop Music Center" under Executive Yuan's "New Ten Construction Projects", which has a budget of NT$500 billion over five years. Through the building of an international art and cultural performance venue and a marine culture center, the aim is to establish Kaohsiung as a fulcrum for Asia-Pacific pop music production and performance and an international exchange platform for marine culture.
 
The central and direct goal of the Project is to create a Marine Culture and Pop Music Center that highlights the unique character of Kaohsiung City while satisfying the needs of the local people, the industries and future trends. This is to be achieved by basing its design and planning on the cultural assets of Kaohsiung, the strengths and conditions of the Project site and the characteristics of the pop music and marine culture industries. The pop music component of the Project, to be equipped world-class hardware, will help foster music professionals in Southern Taiwan, provide a leaven for pop music and its related industries and create a Southern Taiwan incubator for pop music.
 
 
 
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Location: KaohsiungKaohsiung, Taiwan
URL: http://www.kpop.com.tw/
 
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