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You Won’t Find Any Steeples Here: Capturing The Drama Of Postwar Concrete Churches

January 3, 2013

Architectural ingenuity was, for a long time, literally wedded to the Church, its great sponsor. This patronage continued into the modern period, and the works that came from that seemingly anachronistic marriage—the antagonism between concrete futures and traditional stone and brick, between boisterous forms and contemplative ceremony—are nothing short of dazzling, especially when photographed by Fabrice Fouillet. “Corpus Cristi”, Fouillet’s photo series of soaring postwar houses of worship, captures the lyrical potency when concrete, wood, brick, and stained glass come together. Click through for more photos.

by Architizer Editors

David Stephenson’s Cityscapes and Medieval Vaults

April 12, 2012

Nave, Sainte-Chappelle, Paris, France, 2006. Photo (c) David Stephenson.

Judging by his website, photographer David Stephenson is interested in two subjects: contemporary cities, and the historical evidence of human ingenuity.

The American artist’s portfolio is awash in glowing mega-blocks and wide-angle cityscapes presented alongside Vaults, a technically dazzling collection of pre-Modern religious architecture. Vaults looks at the ceilings of cathedrals all over Europe, shot directly from below to “flatten” the depth of the spaces. Together with Light Cities, the work offers an interesting definition of the sublime. Stephenson, in his own words, says he’s drawn to “what is both good and bad in our industrialized culture: an extraordinary example of a monumental technological sublime, where awe, beauty, and human aspiration are tinged with the horror of potential environmental catastrophe, our engine of modernity seemingly running on empty.”

Both of Stephenson’s subjects — the complexities of the Megacity and the virtuosic efforts of medieval master builders — depict the same human impulse. To my eyes, they also share a similar visual taxonomy; a pattern language that, oddly enough, is common between the sexpartite rib vaults of a 14^th century cathedral and fractal urban clustering of Tokyo seen from above.

Images from Vaults (and a companion series, Domes) appeared in two Princeton Architectural Press publications in 2005 and 2009. More of his images are here.